橡皮轮胎杀手

全片没有一句话讨论哲学，没有！

但是轮椅人的死揭示了一个巨大的问题，作为观众的我们也是生活的存在。

这就是一个从存在主义到虚无主义再到存在主义的超强反转！

只有膜拜，没有二话。

（豆瓣发影评怎么开始有限制了？

让我水他个140字

先从哪里水好呢？

就从这里开始吧，

首先啊，这部电影啊，真的是

其次啊，我看到结局，心里真的感到

最后啊，这部电影给我留下的印象嘛

水够了吧？）

In the Steven Spielberg movie “E.T.”, why’s the alien brown? No reason.

In “Love Story”, why did the two characters fall madly in love with each other? No reason.

In Oliver Stone’s “JFK”, why the President suddenly assassinated by some stranger? No reason.

In the excellent “Chainsaw Massacre”by Tobe Hooper, why don’t we ever see the characters go to the bathroom or wash their hands,like people doing in real life? Absolutely no reason.

Worse, in “The Pianist”by Polanski, how come this guy has to hide and live like a bomb when he plays the piano so well? Once again the answer is “no reason”.

I can go on for hours with more examples. The list is endless. You probably never gave it a thought. But all great films,without exception,contain an important element--a “no reason”. And you know why? Because life itself is filled with “no reason”. Why can’t we see the air all around us? No reason. Why’re we always thinking? No reason. Why do some people love sausages and other people hate sausages? No fuckin’reason.

Along with Quentin Dupieux’s works, we can easily found out he’s an imaginable director. His films are full of ironic plot and unnatural things. Most importantly, he always mix the reality and unreality into one scenery, it is so amazing. To be honest, this kind of style is unusual to see. He can use a normal thing like TV to transfer the time and the space. Also, the relationship among characters have not been totally logical but you still feel conventional. That’s awesome.

个人观点，片子的讽刺方式： 以电影的制作、观看模式来讽刺社会某些现象。 望远镜客：说的就是大部分观众，或者只会盲从不动脑子的人们-----我想大多数人都有些这样吧，不然中国的各种有毒食品怎么这么风行呢？各个年龄段的都有，为了看电影而看电影，什么追求都没有。就会听别人的忽悠。在影片中轮胎演技真好，都可以获得奥斯卡 眼睛男：就好像是推销商，发行者，影院的一些相关产业者，比如出爆米花和可乐的。想尽办法让观众看电影并消费。尽量多捞观众的钱。 警长：电影或电视剧制造商。只要有人看，就得继续脚本，不管情节多烂。因为要赚钱。 美女：电影或电视剧里都有。老套路。 特异功能轮胎：演技真好，吊打小鲜肉